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19.“可能”问“不可能”道:“你住在什么地方呢?”它回答道:“在那无能为力者的梦境里。”
- I4 R% Y4 m, i# K3 ^8 pAsks the Possible to the Impossible, - |" h- Z; E2 ~5 b1 P$ U9 A
Where is your dwelling-place? 3 R# \- V, `/ P
In the dreams of the impotent, comes the answer. & s; A/ c6 }% Y: a0 Z. {1 L
20.如果你把所有的错误都关在门外时,真理也要被关在门外面了。 If you shut your door to all errors truth will be shut out. ; H4 }6 D$ h" r8 X
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21.我听见有些东西在我心的忧闷后面萧萧作响,--我不能看见它们。 ! r8 C5 W4 Z! x& G, t) ~
I hear some rustle of things behind my sadness of heart, & Z) @$ n, C% T9 `* u( E9 l
---I cannot see them.
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. l/ b7 C$ X- K2 v* K: R* ^22.闲暇在动作时便是工作。静止的海水荡动时便成波涛。 0 ]) l+ X! G" `: ]" G
Leisure in its activity is work.
% i" V. H9 A) g4 r) b6 h% MThe stillness of the sea stirs in waves.
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23.绿叶恋爱时便成了花。花崇拜时便成了果实。
5 y% D$ h, m% W2 \+ wThe leaf becomes flower when it loves.
) E; x# O* ~. {( l; cThe flower becomes fruit when it worships.
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6 g% a+ U+ l& ^24.埋在地下的树根使树枝产生果实,却不要什么报酬。
% e; n6 F( P: E0 N& LThe roots below the earth claim no rewards for making the branches fruitful.
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25.阴雨的黄昏,风无休止地吹着。我看着摇曳的树枝,想念万物的伟大。
% f# _4 U# E8 F4 S! ?( W4 t( A& pThis rainy evening the wind is restless.
0 ? L% t! l `4 T2 \- dI look at the swaying branches and ponder over the greatness of
" I3 r0 z! h1 M6 iall things.
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26.子夜的风雨,如一个巨大的孩子,在不合时宜的黑夜里醒来,开始游戏和喧闹。
1 C' }) Q1 q8 [$ K3 K% v, n, p2 EStorm of midnight, like a giant child awakened in the untimely dark,has begun to play and shout.
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27.海呀,你这暴风雨的孤寂的新妇呀,你虽掀起波浪追随你的情人,但是无用呀。
: B% F% W! o0 E3 g1 t; y& F1 eThou raisest thy waves vainly to follow thy lover, O sea, thou
0 R x$ `/ w; S: hlonely bride of the storm.
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) d9 }, i+ j/ J- T: Y6 [28.文字对工作说道:“我惭愧我的空虚。”
4 u7 b5 u7 p5 v$ o* S! m工作对文字说道:“当我看见你的时,我便知道我是怎样地贫乏了。” / o2 }( S: q; c
I am ashamed of my emptiness, said the Word to the Work. & M9 R/ n1 z0 y x; z0 Z7 [4 g& P
I know how poor I am when I see you, said the Work to the Word.
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29.时间是变化的财富。时钟模仿它,却只有变化而无财富。 & i$ x- G( S, u2 ^1 g: e4 e
Time is the wealth of change, but the clock in its parody makes
( r4 O" v6 L, v4 |it mere change and no wealth.
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30.真理穿了衣裳,觉得事实太拘束了。 # Y2 r( G# p- [# J
在想象中,她却转动得很舒畅。 " d4 O2 C. \ R/ d
Truth in her dress finds facts too tight.
, t0 ^2 V4 T6 y% a# K4 c* j" IIn fiction she moves with ease. |
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